GJEILO UBI CARITAS PDF

Ola Gjeilo: Ubi Caritas. Ola Gjeilo was born in , in Sandvika, Norway. From an early age he was exposed to a range of different genres of. With a sound at once modern and medieval, this remarkable setting of the familiar Latin text starts in unison and evokes plain chant, and gradually unfolds into. UBI CARITAS. SATB Chorus a cappella. Music by. Ola Gjeilo celebrating years of timeless choral music. OM WALTON. WALTON. MUSIC walton

Ubi Caritas Ola Gjeilo Ttbb Pdf Music

A modulation to B major is heard at the end of this middle section, which comes when the choir are singing the final line of text.

Ubi Caritas (TTBB) Sheet Music By Ola Gjeilo - Sheet Music Plus The Gregorian melody was composed sometime between the fourth and tenth centuries, though some scholars believe the text dates from early Christian gatherings before the formalization of the Mass. View Download PDF: Ubi caritas conducteur. Ola Gjeilo: Ubi Caritas II: Through Infinte Ages: SATB: Vocal Score Choral SATB Vocal Score Peters. Ubi Caritas Choral TTBB TTBB A Cappella Walton Music. $2.70 $2.565 (5% off) See more - Buy online Pre-shipment lead time: 1 to 2 weeks. Browse our 2 arrangements of 'Ubi Caritas.' Sheet music is available for Piano Accompaniment, SATB Choir with 2 scorings in 5 genres. Find your perfect arrangement and access a variety of transpositions so you can print and play instantly, anywhere. Lyrics begin: 'Ubi caritas et amor,'.

Print and download choral sheet music for Ubi Caritas composed by Ola Gjeilo arranged for SATB Choir A Cappella Includes piano accompaniment in F# Minor. Maurice Durufle - Ubi Caritas.pdf. Maurice Durufle - Ubi Caritas.pdf.

Ola Gjeilo ‘Ubi Caritas’: Let Us Rejoice!

I started to write more music that reflected what I listen to. The text, which is related to the Eucharist, is widely known as the antiphon for the first communion, and the washing of the feet from the Mass for Gjeklo Thursday. Blogs Choral Ola Gjeilo: Your email address will not be published.

Gjeilo began playing piano, and gravitated towards jazz improvisation. However, instead of the voices being in unison here, they are in full SATB harmony, which is absolutely glorious. I felt a lot less creative doubt, and I just began to enjoy composing in a new way. After deciding that a career as a composer Read more….

Congregavit nos in unum Christi amor.

Sheet Music

From an early age he was exposed to a range of different genres of music, but he took a special liking to both jazz and classical choral music. Differently, the alto and tenor provide the concluding delayed resolution, with them eventually landing on the third and dominant of the F minor chord. Is it too pretty? This should be the benchmark of all that we composers are looking for.

Ubi Caritas with Piano Improvisation | Ola Gjeilo

His use of improvisation, jazz uubi classical conventions amalgamate to create some truly stunning pieces of music. The opening chant is then concluded by the soprano and alto lines coming together, solidifying the F minor key.

Exultemus, et in ipso iucundemur. Gjeilo mainly learned music by ear, but did learn how to read music from age 7. His keen ear enabled him to be experimental in his compositional style from a young age.

Is it too cerebral? It made me happier. In the last two bars, the bass and soprano land on the tonic and dominant of F minor. We get caught up in these things and distracted from the core question — what is it that I really love?

Is my music modern enough? Gjeilo cleverly changes meter twice before completing the work, to prolong the tension in the final cadence. When Tower was nine, her family moved to Bolivia, which she describes as an integral part of Read more….

Et ex corde diligamus nos sincero. Image Source Recommended Recording: The Best of Brass Alexander Arutunian: What carias my teacher want me to do? Gjeilo creates a more jubilant atmosphere here, which can be heard through luscious harmony, accelerating tempos, and ever-expressive dynamics.

Whilst the alto voice sustains an F tonicthe tenor and bass voices descend in step-wise motion, with the soprano voices ascending in the same manner. Musical Individualism Joan Tower: Leave a Reply Cancel reply. The text that is at the centre of the work can be seen below:.

The text that is at the centre caritax the work can be seen below: So, this is the principle I work with now. The middle section begins following a neat modulation to A major.

By now, you’ve probably seen the video of four men singing Ola Gjeilo’s Ubi Caritas in a stairwell. In fact, you’ve probably had several people forward it to you because they know you’re involved in church music. Just in case you missed it or would like to see it again:

Like you, I enjoyed the video. But I couldn’t just stop there; I had to analyze the whole phenomenon. A few thoughts:

Kings Return can really sing.

I had never heard of this group, and after doing a bit of online research, I get the impression they’re still making a name for themselves. From what I can hear, they deserve every bit of the viral fame they’ve gained. What a clever way to gain a massive online following in a matter of days—even if that wasn’t their intention.

Listeners are amazed to find themselves enjoying chant….only this isn’t really chant.

Ubi Caritas Gjeilo Pdf

Online commenters are marveling at how beautiful Gregorian chant can be. Some are urging Kings Return to make an all-chant album. But here’s the thing: as Corpus Christi Watershed readers already know, chant generally isn’t sung in four-part harmony. It consists of a single melodic line, which traditionally has been adorned with only the simplest harmonies. Various composers have written motets by harmonizing chant melodies, but that’s not the norm for how chant is performed.

Nor did Ola Gjeilo simply harmonize an existing chant melody to compose this Ubi Caritas. As he writes on the inside cover of the motet published by Walton Music:

So, what makes Gjeilo’s composition chant-like? That’s a bit subjective, isn’t it? I’d say it’s because the piece has a simple melody with a limited range. It’s also syllabic, meaning there’s generally only one note per syllable of text.

Anyway, if Kings Return made an all-Gregorian chant album, it would probably sound great but it wouldn’t sound like this. Would people still love it? I’m thinking back to that Benedictine Chant album that topped the charts in the mid-1990s and wondering whether a broad audience would embrace Gregorian chant today. Judging by what I hear blasting from car stereos on my way to and from Mass, today’s “music” is devoid of harmonic complexity. Take away the profanity, the racial slurs, and the oppressive rhythm, and it would cease to exist (Deo volente). At least chant has melody. Perhaps the time is right for a mainstream revival.

The SATB version of Ubi Caritas is spectacular.

Kings Return does a wonderful job with Gjeilo’s motet. But don’t deprive yourself of the original SATB setting. The greater range of voices brings out the full potential of this piece:

A great motet can work for different voicings, though. Ubi Caritas is available for purchase in SATB, SSAA, and TTBB settings. In addition, Gjeilo himself has recorded a version in which he interjects piano improvisations between the choir’s phrases.

This piece is learnable.

Are you intrigued by Gjeilo’s motet but not sure if your choir is ready to learn it? The modern harmonies may sound challenging to a choir that’s just beginning to explore SATB repertoire. But my church choir learned this piece several years ago at a time when we were solid on a lot of Renaissance repertoire but hadn’t sung much modern music.

Ubi Caritas Ola Gjeilo Ttbb Pdf

Here are the main challenges we encountered:

• There are some “crunchy” chords. Be prepared to play them on the piano—and have patience with your singers.
• There’s soprano divisi. You’ll need to balance your people strategically. But if your choir is like mine, you’re stacked with sopranos and thin in the other sections!
• Tuning is challenging at the recapitulation. The soprano line tends to go flat here. If you remind your singers to sing with forte intensity and listen to everything but themselves, I think you’ll find that the tuning fixes itself.
• The ending calls for a huge crescendo and decrescendo. You really have to go for it, or the whole effect will be lost. Why not include crescendo/decrescendo exercises in every choral warmup from now on?

Your choir’s motivation to sing such a cool piece will probably override these and other musical challenges. In time, Ubi Caritas will become one of your chestnuts, just as it has for us.

There’s a reason why Ubi Caritas remains Ola Gjeilo’s top-selling motet at Walton Music, despite the fact that he has since composed many other impressive works. This is an immensely satisfying piece to have in your choir’s repertoire. Kudos to Kings Return for introducing it to a wider audience.